Being and Becoming
       
     
Catching Up
       
     
Stretching
       
     
Dholki II
       
     
Pagli
       
     
She buys her own diamonds
       
     
She II
       
     
She Waits
       
     
Reading
       
     
She
       
     
Seated Woman II
       
     
Seated Woman I
       
     
Reading II
       
     
Khamoshi Ka Alam
       
     
Looking Back
       
     
Unencumbered
       
     
A headscarf can
       
     
Dholki
       
     
Expecting
       
     
The Split I
       
     
The Split II
       
     
Kadam
       
     
Dosti
       
     
Three Girls
       
     
Being and Becoming
       
     
Being and Becoming

Corresponding Essay by the Artist

Drawing on philosophical notions of embodiment by Merleau-Ponty, Nietzsche’s theory of Eternal Return, and existentialist thought my practice explores connections between play with surface, the body, and the constitution of the Asian female Self as a way of addressing concerns regarding the construction of South Asian female subjectivity.

For Merleau-Ponty, the physical body is the ‘ground for all perception’ as knowledge is continuously constituted and reconstituted through bodily experience. This process of constitution, which is eternal and inherently unpredictable, according to Nietzsche, is not autonomous or driven by essential forces, but rather a product of historical motion and social dynamics that are constitutive of and constituted by the Subject.

Nietzsche conceived the psyche-Self as a layered, multidimensional construct that is sculpted by early life experiences, traits and dispositions inherited by our ancestors, and ‘traditions and experiments of past cultures that continue to live in us”. It continuously influences our experience, perceptions, and behaviors, that in turn continue to shape it. As such Being does not precede Becoming, as we are both always already constituted and being constituted.  To exist then is not to rely on universal truths or essential attributes, but instead is to exercise this psyche-Self through decisive action that is informed by this process and also disrupts it.

I play with surface using color, textured marks, images, and the abstraction of the figure as a way of re-enacting this process of subject-constitution and embodiment. Mark-making serves as a subversive act of existence and the layering allows for multiple temporalities to take hold, making way for new forms of subjectivity.

Catching Up
       
     
Catching Up

33 Inch x 46 Inch

Acrylic, Oils, Collage, and Transfers on Paper

Stretching
       
     
Stretching

28.5 Inch x 20.5 Inch

Acrylic, Oils, Collage, and Transfers on Paper

Dholki II
       
     
Dholki II

28 Inch x 40 Inch

Acrylics, Oils, Collage and Transfers on Canvas

Pagli
       
     
Pagli

28 Inch x 40 Inch

Acrylics, Oils, Collage and Transfers on Canvas

She buys her own diamonds
       
     
She buys her own diamonds

28.5 Inch x 20.5 Inch

Acrylics, Oils, Image Transfers and Collage on Paper.

She II
       
     
She II

28.5 Inch x 20.5 Inch

Acrylics, Oils, Image Transfers and Collage on Paper.

She Waits
       
     
She Waits

28.5 Inch x 20.5 Inch

Acrylics, Oils, Image Transfers and Collage on Paper.

Reading
       
     
Reading

23 Inch x 17 Inch

Acrylic, Collage, and Transfers on Paper

She
       
     
She

28.5 cm x 20.5 cm

Acrylic, Collage, and Transfers on Paper

Seated Woman II
       
     
Seated Woman II

28.5 Inch x 20.5 Inch

Acrylics, Oils, Image Transfers and Collage on Paper.

Seated Woman I
       
     
Seated Woman I

24.3 Inch x 18 .5 Inch

Acrylics, Oils, Image Transfers and Collage on Paper

Reading II
       
     
Reading II

24.3 Inch x 18 .5 Inch

Acrylics, Oils, Image Transfers and Collage on Paper

Khamoshi Ka Alam
       
     
Khamoshi Ka Alam

28 Inch x 40 Inch

Acrylics, Oils, and Transfers on Canvas

Looking Back
       
     
Looking Back

28.5 Inch x 20.5 Inch

Acrylics, Oils, Image Transfers and collage on Paper

Unencumbered
       
     
Unencumbered

28.5 inch x 20.5 inch

Acrylic, Collage, and Transfers on Paper

A headscarf can
       
     
A headscarf can

26 Inch x 20.5 Inch,

Acrylics, Oils, Image Transfers and Collage on Paper.

Dholki
       
     
Dholki

20.5 inch 28. 5 inch

Acrylics, Oils, Collage and Transfers on Paper

Expecting
       
     
Expecting

28.5 Inch x 20.5 Inch

Acrylics, Oils, Image Transfers on Paper

The Split I
       
     
The Split I

22 inch x 32.5 inch

Acrylics, Oils, Collage and Transfers on Paper

The Split II
       
     
The Split II

22 inch x 32.5 inch

Acrylics, Oils, Collage and Transfers on Paper

Kadam
       
     
Kadam

20 inch x 32 inch

Acrylics, Oils, Collage and Transfers on Paper

Dosti
       
     
Dosti

20 inch x 32 inch

Acrylics, Oils, Collage and Transfers on Paper

Three Girls
       
     
Three Girls

33 inch x 45 inch

Acrylics, Oils, Collage and Transfers on Paper